Sesto Bruscantini estuvo Married años con unos during the Bosnian soprano Sena Jurinac y, posterior

Home THE FONOFERNEMLANDTECA fredricks Amfortas, the correspondent MY SUGGESTION: music (opera composer) SINGERS (opera) BARCELONA CITY TORINO STAGE THEATRE BERLIN Directory DISCO DVDTECA BOOKS Raul's work in the music Avison
Sesto Bruscantini, the great Italian baritone bass specialized roles buffos has been chosen by most of you as the best interpreter fredricks of 9 I chose, singing Largo al factotum from The Barber of Seville by Gioachino Rossini.
Bruscantini was born 10 December 1919 in the city of Civitanova Marche. Having studied law career, he undertook studies at the Accademia Santa Cecilia song debuted as low as 1946 in Bohemia in his hometown. The following year he won a competition organized by RAI in 1949 and made his debut at La Scala singing Il Matrimonio Segreto Geronimo Cimarosa.
He was a specialist in the repertoire Mozart and Rossini, alternating bass and baritone roles, but later incorporated Verdi roles. In any case always be remembered for his performances of the comic character roles, also operas by Donizetti (Don Pasquale, La Fille du Regiment and Elisir d'amore).
The extensive and versatile voice Bruscantini made it particularly suitable fredricks for Figaro, a role now attributed to baritones, but at the time the release was sung by Luigi Zambosi, low and Mustafa also did the Italian in Algeri.
Bruscantini has been chosen by 13 of the 41 votes cast, 32%, which is not much, but the distance from the second number 9 with 3 votes. This played until the last moment the prize, followed by the number 6 at the last minute and took a strong push lively. Perhaps you have missed the vote a couple of days.
Figaro 9 Leo Nucci (DECC commercial recording 1988) 10 votes
March 1, 2011 at 00:57
Sesto Bruscantini for me has always been the fear Figaro rossiniano par excellence, with the appropriate voice of under-baritone baritone as ahora y not be like that. MUCHISIMO me glad that haya been the most Rated, contando vote with me, of course. Enhorabuena.
De todos los bajos-baritones baritones and I escuchado in vivo or recording Bruscantini Figaro has always been the best, followed by the great Riccardo Stracciari and Ettore Bastianini. 9 of the recordings I escuchado in this Proposal is certainly the preferred me yours, followed by Manuel Ausensi fredricks (pity that the Carcajada Habra muchos not liked, fredricks but what voice and phrasing!) And the Robert Merrill that exceeds in "gracias" Rossini not REQUESTS le para nada.
Sesto Bruscantini estuvo Married años con unos during the Bosnian soprano Sena Jurinac y, posteriormente, contrajo matrimonio con pareja or lived in the Catalan dancer Angels Aguadé Herman Asuncion Aguadé that fuera del Liceu first dancer during enough years, cuando tenía the Liceu de cuerpo Tiempos own dance ... ...
I had the suerte to see you in all of its activities in the Liceu and keep a special and unforgettable remembrance of Figaro y su of about Malatestas, with its phenomenal duet with Paolo Montarsolo, whose approval by Applause part of the public does not believe that y nunca acababan Sometimes bisaron. His voice was penetrating and clarísima and his grave was so importante Records as the central and the acute and additionally unmistakable. It is one of the most great artists that have a bunch of locked files suerte de ver y escuchar in vivo.
Muchas fredricks gracias por this magnificent opportunity to procrastinate. Me I spent it very well Escuchando todas las versiones Proposals por ti me and I love that cantante favorito haya exit "Winner".
Esta vez There was, as always, very buenas versions, but nada más escuchar 8, I had very clear that I preferred was Bruscantini. My second option fredricks was that Merrill, Colbran dice as well, so just le sobraba SOME excessive. Gracias por una vez más dejarnos play in your home.
Although it was not who I vote, I am very pleased that the winner is Bruscantini Sesto, a singer whom I met through in Colbran, who sent me the recording fredricks of "Soave sia il vento" played by the trio formed by Elisabeth Schwarkopf, Nan Merriman and he (I say "he" to refer to Bruscantini, eh?) so that I could do in a "yutub."
That recording came accompanied by an e-mail where he (as I refer to it in Colbran) Bruscantini was said that, in their opinion, the best Figaro that he had never heard live, and also remember that you said Nan Merriman (whom I also knew) was fantastic in the role of Meg Page's "Falstaff."
I think, fredricks especially for those who, for whatever reasons, relatively recently that we got his head in the world of opera, it is good that we