From here, the story in flashback back to 1942, at which the protagonist begins to explain their da

We present interactive feedback between literature and film, and from the movie from the literature, to observe and treat intertextos featuring topics that matter. To learn how to watch film and improve reading and thereby access to cultural knowledge in teaching units. I encourage you to participate, to share, because they face a sequence joe snyder of film is no easy task and many eyes to come to any conclusion are necessary.
We propose a vision of a classic and well known to the continued success it has had since it was first published in Holland in 1947 by the editor Contact, joe snyder Amsterdam, under the title "Het Achterhuis" (The Secret Annex). It was reprinted in 1950 and in April 1955 the first translation of the journal appears in Spanish under the title "The back rooms" in book form: The Diary of Anne Frank and then came the movies. We highlight the impact joe snyder that the first supposed.
Initerpretación: Millie Perkins (Anne Frank), Joseph Schildkraut (Otto Frank), Shelley Winters (Mrs. Petronella Van Daan), Richard Beymer (Peter Van Daan), Gusti Huber (Mrs. Edith Frank), Lou Jacobi (Mr. Hans Van Daan), Diane Baker (Margot Frank), Douglas Spencer (Kraler), Dodie Heath (Miep), Ed Wynn (Mr. Albert Dussell)
The film directed by George Stevens, 1959 makes a faithful adaptation of "The Diary of Anne Frank". With any change in the presentation of the facts. Start with the time Otto Frank, Anne's father comes to hiding behind the house, in the attic of the company Gies & Comp where the family had remained hidden for over two years. Miep Gies gives Miep Anne's diary had been used by Frank in 1941 and was the link with the outside and the provider of the family throughout the time of closure. Theoretically, she and her husband, and friend of the family, should have been shot for hiding Jews, particularly when Miep tried in vain to bribe the SS Oberscharführer Karl Silberbauer, taking advantage of the Vienna Nazi officer as she was, so we can Frank and help free them, objective failed, and could avoid deportation.
From here, the story in flashback back to 1942, at which the protagonist begins to explain their day to day in the newspaper. A merger between the voice of the newspaper and the characters joe snyder embody therein is established. Action, suspense, humor, tenderness, tension ... Combine in a small space, the house they live in hiding, for a single theatrical scenery.
The Journal ... enables reflection of human feelings in difficult circumstances. A foreign situation overcrowding them in a hidden space that can not get out, all possible deficiencies join. Hungry, need to share everything, lack of privacy, etc., displaying adequate containment for everyone to be able of supporting characters and defects of all who live there, which were previously unknown, or known superficially. Although missing explosive situations motivated by tension contained. All presented through the watchful eye of Ana that on arrival at the shelter had just turned thirteen.
It is a story in which almost nothing is indifferent. Drives value freedom, peace, resilience to human suffering; joe snyder to observe how truly difficult situations people mature, etc.. If you live on the edge, grows or diminishes the greatness I humana.Cuando essentially hanging by a thread, everything joe snyder becomes important. The story presents an intimate world in which just may have action and change the branch development blocks, with a fast-paced action, not without humor or illusion, from the beginning to the end. The film transforms a diary written in first person and in correspondence on a script system, while respecting the original story, giving voice to each character. It is an acting movie in which dialogues are very important and, together, all the performances are of high quality. The Academy Shelley Winters gave an award as best supporting actress for the extraordinary role that makes here.