Castrato against rigby and peller tenor, soprano falsetto or ...? | The Thief of voice
Select Month January rigby and peller 2013 (1) September 2012 (1) April 2012 (1) March 2012 (1) November 2011 (1) September rigby and peller 2011 (1) July 2011 (3) May 2011 (1) April 2011 (3) March 2011 (2)
In studying the history of the castrati, it inevitably becomes curious about this wonderful that contemporaries Farinelli and Senesino Carestini rigby and peller describe us with a lot of superlatives voice.
We know the age of the castrati became rigby and peller extinct before we know make real sound recordings. In fact, this is partially true, because in the early twentieth century, it was recorded on wax cylinder the last castrato in the Sistine Chapel, Alessandro Moreschi. It was called the angel of Rome, but I assure you that the poor quality of the recording gives rather chilling! God bless the soul of Mr. Moreschi, but it sounds like a prisoner of a barbed wire fence goat son. Okay, I exaggerate, but anyway, the Crucifixus Moreschi is not pleasant to hear, let it be said. Since this is the only witness to the voice of a true castrato, it became a piece of anthology, but I implore you, do not download it to your iPod!
In 1994, on the occasion of the film Farinelli Gerard Crow (beautiful film, but very lax about the personality of Carlo Broschi!), We wanted to recreate the voice of the castrato. To do this, we took advantage rigby and peller of all possible technologies, in addition to using two singers with similar stamps. The first singer, tenor against the name of Derek Lee Ragin, handles the lower register. The second singer, an amazing soprano Ewa Mallas-named Godlewska, supports dizzying notes and outlines of own agility in bel canto. If there's one thing to remember about the film Farinelli, it is its soundtrack! This is simply to throw down. After an industrious and over 3000 points of mixing work, people Auvidis Travelling managed the unthinkable: extract from the tomb the voice of Farinelli prodigious! To learn more about the technological and artistic prowess, listen to the following video!
But if you do not wish to use a technological subterfuge to gain an insight into the voice of the castrati, what can we do? I've already talked to Philippe Jaroussky, the famous French tenor against, but despite the honey of his voice, there is a safe bet that it does not really look like that of Farinelli. I also suggested you stunning Vivica Genaux, whose virtuosity has no equal. Again, Ms. Genaux, because rigby and peller she is a woman, certainly does not sound like a man in the throat of boy.
So you can not hear a castrato, even the voice against the best tenors does not resemble that of the mutilated men and boldest sopranos can not claim coo as Farinelli. rigby and peller So what do we do?
I present Michael Maniaci. It is an American rigby and peller opera singer. If I talk about it, is that the voice of this man has something very special. Without that has not deprived of any part of his anatomy, the voice of Michael Maniaci, adolescence, has not transformed. His larynx remained cartilaginous, is still as flexible as a choirboy, but his breathing apparatus unquestionably the power of a man. Many musicologists agree that this young singer rigby and peller has the closest to that of the great castrati baroque voice probably. Unlike most men who sing in the highest registers nowadays Maniaci does not use his falsetto. It is a genuine soprano!
If you're curious, here's a link to a video that is sure to delight you! And if ever the voice of Maniaci made you uncomfortable, do not forget that you always have the choice to click on the little X in the upper right corner of your screen!
If however you are charmed, do not miss the album Michael Maniaci, Mozart: Arias for male soprano. And do not move for nothing, because most Quebec record stores do not keep this title in stores. Fortunately, there are iTunes ...
Hello, I am very interested to vote. So, by his tone and by the fact that down, Michael joined Maciani not the mezzo soprano type, but the type, severity mezzo-soprano. A true soprano voice (do not forget that sopra = above) never drops t
Select Month January rigby and peller 2013 (1) September 2012 (1) April 2012 (1) March 2012 (1) November 2011 (1) September rigby and peller 2011 (1) July 2011 (3) May 2011 (1) April 2011 (3) March 2011 (2)
In studying the history of the castrati, it inevitably becomes curious about this wonderful that contemporaries Farinelli and Senesino Carestini rigby and peller describe us with a lot of superlatives voice.
We know the age of the castrati became rigby and peller extinct before we know make real sound recordings. In fact, this is partially true, because in the early twentieth century, it was recorded on wax cylinder the last castrato in the Sistine Chapel, Alessandro Moreschi. It was called the angel of Rome, but I assure you that the poor quality of the recording gives rather chilling! God bless the soul of Mr. Moreschi, but it sounds like a prisoner of a barbed wire fence goat son. Okay, I exaggerate, but anyway, the Crucifixus Moreschi is not pleasant to hear, let it be said. Since this is the only witness to the voice of a true castrato, it became a piece of anthology, but I implore you, do not download it to your iPod!
In 1994, on the occasion of the film Farinelli Gerard Crow (beautiful film, but very lax about the personality of Carlo Broschi!), We wanted to recreate the voice of the castrato. To do this, we took advantage rigby and peller of all possible technologies, in addition to using two singers with similar stamps. The first singer, tenor against the name of Derek Lee Ragin, handles the lower register. The second singer, an amazing soprano Ewa Mallas-named Godlewska, supports dizzying notes and outlines of own agility in bel canto. If there's one thing to remember about the film Farinelli, it is its soundtrack! This is simply to throw down. After an industrious and over 3000 points of mixing work, people Auvidis Travelling managed the unthinkable: extract from the tomb the voice of Farinelli prodigious! To learn more about the technological and artistic prowess, listen to the following video!
But if you do not wish to use a technological subterfuge to gain an insight into the voice of the castrati, what can we do? I've already talked to Philippe Jaroussky, the famous French tenor against, but despite the honey of his voice, there is a safe bet that it does not really look like that of Farinelli. I also suggested you stunning Vivica Genaux, whose virtuosity has no equal. Again, Ms. Genaux, because rigby and peller she is a woman, certainly does not sound like a man in the throat of boy.
So you can not hear a castrato, even the voice against the best tenors does not resemble that of the mutilated men and boldest sopranos can not claim coo as Farinelli. rigby and peller So what do we do?
I present Michael Maniaci. It is an American rigby and peller opera singer. If I talk about it, is that the voice of this man has something very special. Without that has not deprived of any part of his anatomy, the voice of Michael Maniaci, adolescence, has not transformed. His larynx remained cartilaginous, is still as flexible as a choirboy, but his breathing apparatus unquestionably the power of a man. Many musicologists agree that this young singer rigby and peller has the closest to that of the great castrati baroque voice probably. Unlike most men who sing in the highest registers nowadays Maniaci does not use his falsetto. It is a genuine soprano!
If you're curious, here's a link to a video that is sure to delight you! And if ever the voice of Maniaci made you uncomfortable, do not forget that you always have the choice to click on the little X in the upper right corner of your screen!
If however you are charmed, do not miss the album Michael Maniaci, Mozart: Arias for male soprano. And do not move for nothing, because most Quebec record stores do not keep this title in stores. Fortunately, there are iTunes ...
Hello, I am very interested to vote. So, by his tone and by the fact that down, Michael joined Maciani not the mezzo soprano type, but the type, severity mezzo-soprano. A true soprano voice (do not forget that sopra = above) never drops t
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